In an interview with TVBEurope, Tobias Aberg, Executive in Charge of Production for Eurovision 2024, detailed SVT’s plans to bring a cinematic feel to this year’s contest. The focus will be on high-quality visuals and sound, with a special emphasis on capturing the audience’s energy.
Cameras and a “Filmic Look”
A total of 26 cameras will be used, including a mix of RF, handheld, and Steadicam options. Interestingly, Aberg reveals they’ll be employing a 1080i25 format with a creative twist: PSF mode for a more cinematic aesthetic. While the Green Room’s location remains a mystery, Aberg assures viewers of exciting interviews and a focus on the enthusiastic “standing fans.”
Enhanced Sound Design and Open-Source Graphics
The audience experience will be further amplified with a robust sound system, including handheld mics, belt packs, and dedicated commentary cabins. Open-source graphics powered by HTML, JavaScript, and CSS will manage all visual elements, including the voting graphics.
The soundscape will be rich with handheld microphones, belt packs, audience mics, and dedicated commentary cabins. A multitrack system with 48 channels ensures pristine audio mixing for broadcast, live sound, and in-ear monitoring.
For graphics, SVT is leveraging an open-source system, managing voting boards and templates using HTML, JavaScript, and CSS. While augmented reality won’t be featured, overlays will be strategically used for visual impact.
Sustainable Production
SVT prioritizes sustainability this year. Crew transportation utilizes electric cars, stage lighting relies solely on LED and laser sources, and most equipment is rented to minimize waste. Additionally, the artist postcards were filmed remotely with a focus on social media aesthetics.
Redundancy for a Flawless Broadcast
As always, Eurovision prioritizes a seamless broadcast. Back-up plans include three in-sync backtracks, redundant OB vans, and diverse signal distribution methods. Aberg acknowledges the challenges presented by the in-the-round stage design but expresses confidence in the final product.
Get ready for a visually captivating and immersive Eurovision experience this year!
> (…) they’ll be employing a 1080i25 format with a creative twist (…)
Strange that the songs from the finals they uploaded to YouTube are 1440p50. Although I think the image is not as sharp as other 1440p YouTube-content.
German ARD offers 1080p50 HEVC via their Mediathek.
SAT and SRT FEEDs TV stations around Europe received a 1080i25 feed, but TV stations use the 1080i50 standard for their broadcasts. You can compare smoothness in movement between 2023 videos and 2024 videos and clearly see the difference. According to the production team, the reason is a new creative approach.