Who is Laura Thorn? Meet Luxembourg’s Eurovision 2025 Representative

On January 25th, Luxembourg’s public broadcaster RTL hosted the second edition of the Luxembourg Song Contest, the country’s national selection for Eurovision 2025. Seven acts, chosen after a thorough selection process, competed for the honor of succeeding TALI as Luxembourg’s representative at Eurovision.

Laura Thorn, already the favorite in the betting odds, claimed victory in the national final, earning her place on the Eurovision stage in Basel. She scored an impressive 184 points, topping the international juries and finishing second in the public vote. Her win came with over 50 points ahead of runner-up Zero Point Five with “Ride,” and nearly double the score of third-placed Luzac with “Je Danse.”

Get to Know Laura Thorn: Luxembourg’s New Voice for Eurovision 2025

Laura Thorn (25 years old) is an artist with a strong musical background, a deep love for teaching, and undeniable stage presence. From an early age, music has played a key role in her life. Her passion began at eight years old, especially through classical music, inspiring her to study music theory, piano, and cello.

Her dedication led her to professional training at the Institut Supérieur de Musique et de Pédagogie de Namur in Belgium, where she earned a master’s degree in music theory, pedagogy, and pop singing. Today, she shares her expertise as a teacher at the Escher Conservatory.

While she continues to focus on refining her performance skills and developing her artistic identity, Laura hasn’t ventured into songwriting just yet. She finds inspiration in legendary voices of soul and new soul, citing influences like Aretha Franklin, Christina Aguilera, and Jennifer Hudson.

A lesser-known side of Laura is her passion for musical theatre, particularly drawn to villainous roles for their expressive depth. If given the chance, she dreams of playing Ursula from The Little Mermaid—though she acknowledges that such iconic roles are typically reserved for older, more experienced performers.

Outside of music, Laura is a fitness enthusiast, believing physical conditioning is essential for breath control and vocal stamina. Her commitment to fitness proved crucial during Luxembourg’s selection show, where she tackled the challenge of singing and dancing live. This discipline remains a core part of her preparation for Eurovision in Basel.

In various interviews, Laura has shared that she sees Eurovision not just as a goal, but as a platform to grow and explore new opportunities. She points out that artists in Luxembourg have limited chances to showcase their music and gain visibility, making the Luxembourg Song Contest a valuable stage to build a loyal fanbase.

Despite her current role at the Escher Conservatory, she remains open-minded about what’s next in her musical journey:

“I always approach things spontaneously. I don’t have a specific goal or ambition right now—I just want to see where this path takes me. When an opportunity comes your way, you’ve got to follow it.”

What is “La Poupée Monte Le Son,” Luxembourg’s Eurovision 2025 Entry?

The collaboration between Laura Thorn and Parisian songwriters Julien Salvia (composer) and Ludovic-Alexandre Vidal (lyricist) was forged in Belgium. A former vocal coach of Laura’s at the Institut Supérieur de Musique et de Pédagogie de Namur recommended her to the songwriting duo, who were seeking the right voice for “La Poupée Monte Le Son.”

The song’s title is a direct nod to “Poupée de Cire, Poupée de Son,” the track that won Eurovision for France Gallrepresenting Luxembourg 60 years ago.

While “Poupée de Cire” portrays a doll controlled like a puppet—reflecting an era dominated by male influence in music and society—“La Poupée Monte Le Son” flips the narrative, rejecting the idea of being a “perfect doll” under control. It advocates for female independence, a message echoed through Laura’s Eurovision staging: featuring imagery of France Gall’s performance before Laura symbolically removes her doll costume to represent breaking free from expectations and stereotypes.

Lyrics of “La Poupée Monte Le Son”

Wondering what “La Poupée Monte Le Son” means or looking for its lyrics? We’ve got you covered. Below, you’ll find the original lyrics alongside their English translation—so you can follow along whether you’re singing in French or enjoying the meaning in English.

Luxembourg at the Eurovision Song Contest

Luxembourg made a triumphant return to Eurovision in 2024, marking 30 years since its last appearance in Millstreet 1993 and 40 years since its last victory with Corinne Hermès’ “Si La Vie Est Cadeau.”

With five wins across 38 participations, Luxembourg remains one of Eurovision’s most successful countries. A founding participant in 1956, Luxembourg only skipped the contest once, in 1959.

Among its famous representatives: Jean-Claude Pascal (1961, 1981), Nana Mouskouri (1963), France Gall (1965), Vicky Leandros (1965, 1973), Anne-Marie David (1973), Baccara (1978), Lara Fabian (1988), and Sarah Bray (1991). Interestingly, many weren’t Luxembourgish by nationality—a unique aspect of its Eurovision history.

Luxembourg has achieved a Top 10 finish 20 times, though it also placed last on three occasions (1958, 1960, 1970). The country hosted the contest four times (1962, 1966, 1973, 1984) at venues like Villa Louvigny and Grand Théâtre de Luxembourg.

Before its long hiatus, Luxembourg’s final entry was Modern Times with “Donne-Moi Une Chance” in 1993, finishing 20th with 11 points. Following internal restructuring at RTL, the country withdrew—until its long-awaited comeback in 2024, when TALI’s “Fighter” qualified for the final, finishing 13th with 103 points.