Bangkok, the Thai capital, is counting down to its first taste of Eurovision fever. The first edition of the Eurovision Song Contest Asia takes place on Saturday 14 November from 20:30 ICT (14:30 CET, 13:30 UTC). The One Bangkok Forum hosts the contest, with 11 countries competing for the coveted glass microphone: Bangladesh, Bhutan, Cambodia, Laos, Malaysia, Mongolia, Nepal, the Philippines, South Korea, Thailand and Vietnam.
In the days leading up to the show, the participating delegations have been rehearsing on stage to fine-tune their staging ahead of the live broadcast.
Following the usual Eurovision Song Contest format, each act has had two individual rehearsals over the past few days, with the chance to run through their performance several times, before the dress rehearsals that will be decisive in finalising lighting, sound and camera work.
The European Broadcasting Union (EBU) and Voxovation, the company that manages the rights to the Eurovision format in Asia, have so far released only a handful of official photos of each delegation along with a short edited clip of the performance, which gives us a first idea of what we will see on the night.
Bangkok Connection | Eurovision Asia 2026 individual rehearsals in detail
Below we look at the main details of every entry competing at Eurovision Song Contest Asia 2026, focusing on the costumes, visuals, lighting and staging elements that stand out for each country hoping to win this inaugural edition.
The edited rehearsal clips for Thailand, Nepal and Malaysia are due to be released on Friday 13 November
Vietnam: Tóc Tiên – “EM TIÊN”
Tóc Tiên, representing Vietnam at Eurovision Song Contest Asia 2026, brings a visual concept designed to win over the audience. In rehearsals she has unveiled a reworked version of her staging, with major changes from the performance we saw at the national selection.
One of the most striking elements is the styling. Tóc Tiên and her dancers now wear all-white outfits, creating an elegant, bright and coordinated look. The singer opts for a futuristic-inspired design with sheer panels, shimmering fabrics and iridescent details that catch the stage lighting. Her dancers follow the same aesthetic, reinforcing the visual cohesion of the whole performance.
The set design also plays a key role. The performance features three large lotus flower structures that serve as platforms for Tóc Tiên to move between during the song. They add movement and help build an aquatic, dreamlike atmosphere. The blue and turquoise tones on the LED screens, together with the lighting effects, heighten the mood and create a striking contrast with the white costumes.
The rehearsal footage also shows a performance full of energy, chemistry and theatrical moments. The interaction between the singer and her dancers gives the number more personality, while the changes of position and movement across the platforms add a more elaborate visual dimension.
In short, Tóc Tiên has chosen to raise and reinvent her entry since the national selection. The new version has more polished production, a clear visual identity and far more ambitious staging.
Who is Tóc Tiên? Meet Vietnam’s representative at Eurovision Asia 2026
Cambodia: Monetrey – “I Let You Go”
Monetrey, representing Cambodia at Eurovision Song Contest Asia 2026, goes for a restrained visual concept in which the lighting and the singer’s own presence take centre stage.
In the available photos and short clip, Monetrey appears alone on stage, with no dancers or backing performers. The performance is built around him and the microphone, with a delivery that seems to aim for a direct connection with the audience. This choice puts the singer firmly in the spotlight and gives every gesture more weight.
The costume provides the main visual element. The Cambodian singer wears a gold jacket with black trousers, an elegant look that stands out against the dark stage. The ornamental details on the jacket add sparkle and personality, while the two-colour combination keeps the look consistent.
Lighting is one of the standout features. In some shots, several beams of white and blue light sweep across the venue, creating a large-scale atmosphere. In another image, a single overhead spotlight picks out Monetrey in the darkness, creating an intimate, dramatic composition. The contrast between the two approaches shows how light alone can transform the mood without adding many other elements.
For now, the preview does not appear to feature LED graphics or major on-screen visuals. The staging relies mainly on the spotlights and the performer himself, a decision that can give the entry its own personality if it is backed by a solid vocal performance.
Who is Monetrey? Meet Cambodia’s representative at Eurovision Asia 2026
Laos: Thinla – “BAE”
Thinla, representing Laos at Eurovision Song Contest Asia 2026, presents a completely new visual concept compared with the one she showed at the national selection. The performance combines cultural identity, energy and spectacle.
The Lao singer goes for a far more spectacular look, with a costume inspired by traditional elements but adapted to a modern stage concept. Her outfit stands out for its vivid colours, embroidered details, silver ornaments and eye-catching pink and black feather pieces that bring movement and personality to her image.
One of the highlights of the staging is a troupe of four dancers who join the singer on stage. The photos show different formations and routines, with synchronised movement and poses that underline the dynamic feel of the performance. The dancers wear black with red details, creating a visual contrast with Thinla’s colourful costume.
The staging also includes a bench, a prop that plays an important role at certain points in the performance. Although the full camera plan is not yet known, it adds new possibilities to the visual storytelling of the number.
The images also show Thinla performing with great expressiveness, microphone in hand, as she engages with the audience and moves around the stage. The lighting, dominated by red, orange, pink and blue, helps create a vibrant atmosphere.
Who is Thinla? Meet Laos’s representative at Eurovision Asia 2026
Mongolia: Beck – “Chamguigeer (Without You)”
Beck, representing Mongolia at Eurovision Song Contest Asia 2026, offers a refreshed entry that has evolved since the national final. He takes the stage in a deel, Mongolia’s traditional garment, reinterpreted for the performance. The outfit keeps its cultural references and stands out for its ornamental details, shimmering finishes and colours under the show’s lighting.
The visual concept places Beck at centre stage. On the screens, a huge full moon lights up a blue landscape and creates a cinematic atmosphere. Beams of blue and gold light sweep across the venue while glowing graphics run across the backdrop. The reflective floor multiplies the colours and adds depth to a performance designed to make the most of the size of the space.
Beck is not alone. Four female dancers join him and help shape a dynamic routine. Their presence widens the choreographic possibilities and strengthens the theatrical side of the entry. At certain moments, the singer plays a traditional string instrument, which adds another dimension to his performance and puts the focus on the music.
The biggest change is in the performance itself. Since the national final, the number has been completely rethought: it has new choreography and a different overall feel. This is not just a matter of polishing moves or adding visual tweaks, but of presenting a new version adapted to the scale of a Eurovision stage.
With the deel as a marker of identity and staging packed with light and imagery, Beck aims to carry Mongolian culture into a transformed, ambitious contemporary production built to grab the audience’s attention.
Who is Beck Munkhbayar? Meet Mongolia’s representative at Eurovision Asia 2026
Bhutan: Nyendra – “Lhayi Semo” (The Angel – ལྷ་ཡི་སྲས་མོ།)
Nyendra, representing Bhutan at Eurovision Song Contest Asia 2026, presents a performance shaped by cultural identity and the landscapes of the Himalayas. He keeps the visual idea from the national selection, performing solo with a delivery that rests on his presence and the overall visual impact.
One of the most eye-catching elements is the costume. The singer wears the gho, Bhutan’s traditional men’s garment, which ties the entry to the country’s roots. It is a brightly coloured design in red, green and yellow, with stripes and geometric patterns and wide white cuffs that stand out on the sleeves. The outfit becomes one of the stars of the performance.
The set design supports this cultural focus with a backdrop inspired by the Himalayan mountains, a direct reference to Bhutan’s geography. The images show peaks, clouds and a sky washed in warm tones, like a sunset among the mountains.
The blue lighting, the spotlights cutting through the space and the haze spread across the floor create depth and an immersive atmosphere. In the wide shots, Nyendra stands in the middle of a vast stage framed by that landscape; in the close-ups, warm light highlights his face and the details of the gho.
It is a coherent visual concept: a solo artist on stage, a recognisable national identity and a setting that places the performance in its natural surroundings. The mix of tradition, colour and staging aims to convey the essence of the country and give its debut a personality of its own.
Who is Nyendra? Meet Bhutan’s representative at Eurovision Asia 2026
Philippines: CARMELLE – “Sobra-Sobra (Too Much)”
CARMELLE, representing the Philippines at Eurovision Song Contest Asia 2026, presents staging built on movement, colour and a bold visual look.
She wears a spectacular flame-inspired dress dominated by red, blue and orange. The voluminous design, made of multiple layers of fabric and shimmering details, creates a striking silhouette that evokes flickering flames. The colour combination gives her image strength and personality and makes the costume one of the main talking points of this first look at her stage show.
CARMELLE will not be alone on stage. She will be joined by several female dancers, whose moves and choreographic elements add energy to the entry. While the singer performs microphone in hand, the dancers carry out a routine that seems to play with shapes and the energy of the group, reinforcing the visual character of the performance.
With her trademark charisma, CARMELLE engages with the audience and strikes a series of poses throughout the performance. Her stage presence and eye-catching costume point to an entry designed to grab attention from the very first second.
Who is CARMELLE? Meet the Philippines’ representative at Eurovision Asia 2026
Bangladesh: Beatmosphere – “Tumi Ele”
Beatmosphere, representing Bangladesh at Eurovision Song Contest Asia 2026, have also completely overhauled their performance, from the costumes and choreography to the visuals.
The band has new outfits mixing light and dark pieces, with splashes of colour that give each member personality while keeping a unified look. The six performers move around the platform in different formations, switching positions and performing synchronised moves. Their bigger gestures match the energy of the performance, and the choreography is designed to make the most of the size of the Bangkok stage.
The graphics have also evolved. The backdrop establishes a visual identity built around large letters spelling out the song title, “TUMI ELE”, and geometric shapes that create depth and movement. The visual concept plays with black, white and red: the first images show an atmosphere of silvery and bluish contrasts, while another sequence transforms the stage with intense red lighting. The change heightens the impact of the performance and adds different shades to the staging.
The screen shows a glowing white figure against a dark background, showing that the camera plan includes several visual moods. The lighting, the reflections on the floor and the LED lines complete the picture.
Who are Beatmosphere? Meet Bangladesh’s representatives at Eurovision Asia 2026
Thailand: MANG x DAOU – “Aroma” (Glinratree – กลิ่นราตรี)
MANG x DAOU, representing Thailand at Eurovision Song Contest Asia 2026, look ready to surprise with a refreshed entry that takes their national final performance up a level. The duo offers more elaborate staging, new costumes and a visual aesthetic built on elegance and intensity.
One of the most eye-catching elements is the new styling for both artists. MANG x DAOU wear outfits in different shades of deep blue, with shimmering fabrics and details that create a sophisticated, unified look. The colour choice strengthens the visual identity of the performance and conveys an elegant, mysterious atmosphere.
The set is dominated by large tree branches that create an almost fantastical landscape on stage. These natural elements contrast with digital backdrops in pink, violet and reddish tones, a visual combination that adds depth and drama.
The connection between the two performers is also central to the concept. In one of the standout moments, they reach out until their hands meet, a scene loaded with symbolism. They also move through different choreographic set-ups, with dancers lifting the artists and helping build a dynamic, theatrical performance.
MANG x DAOU make it clear that they are not content to repeat their national final performance: they want to take it a step further. The combination of new costumes, immersive set design and choreographed moments could make the Thai entry one of the most visually striking of the night.
Who are MANG x DAOU? Meet Thailand’s representatives at Eurovision Asia 2026
South Korea: JUNHEE – “DEEP DIVE”
JUNHEE, representing South Korea at Eurovision Song Contest Asia 2026, goes for intense, visual, high-energy staging. The singer is the clear focal point, dressed entirely in red, a colour that dominates the performance and strengthens his presence at centre stage.
Around him, several dancers dressed in white build a striking composition. Their movements, postures and shapes form different patterns around the artist, creating almost sculptural images that add energy and theatricality to the number. The group alternates moments of collective movement with coordinated positions, while JUNHEE holds the focus with a confident, expressive attitude.
The contrast between the bright red of the singer’s outfit and the white of the dancers is one of the most recognisable features of the entry. The lighting also stands out: red beams flood the stage and create an immersive, intense, futuristic atmosphere. The dark background makes the figures and the reflections on the floor stand out even more.
The performance has evolved from the version seen at the national final. The production includes new graphics and an updated lighting design with a futuristic aesthetic that aims to boost the visual impact of the song. Without losing the identity of the original concept, these changes give the whole number more depth and scale.
The contrasts, the coordination and JUNHEE’s stage presence add up to a powerful, carefully crafted entry, with red at its core to set the stage alight.
Who is JUNHEE? Meet South Korea’s representative at Eurovision Asia 2026
Nepal: Pratik Himal Rai – “Ananta Maya”
Pratik Himal Rai, representing Nepal at Eurovision Song Contest Asia 2026, presents an intense visual concept built on the contrast between the energy of fire and an atmosphere of cool tones. The images show staging built around the singer and a large heart-shaped set piece.
The singer wears an embroidered dark shirt as part of a theatrical outfit. His costume stands out under the changing lights and adds personality to a performance that combines power, drama and movement. He holds centre stage, microphone in hand, while the dancers perform expressive choreography around him. Their movements create dynamic compositions that reinforce the theatrical character of the song.
Lighting plays a key role. Deep blues wash over the stage and create an immersive atmosphere, while dark reds and fire imagery turn the backdrop into an explosive landscape. This colour contrast follows the shifts in intensity of the performance and draws the eye towards Pratik Himal Rai and the giant heart behind him. The glossy floor reflects the lights and silhouettes, adding to the sense of depth.
The Nepali entry has a recognisable visual identity: romantic in its symbols, powerful in its colours and theatrical in its execution. Pratik Himal Rai is out to make his mark, with a bold, cinematic look on screen.
Who is Pratik Himal Rai? Meet Nepal’s representative at Eurovision Asia 2026
Malaysia: Aina Abdul – “Bluest Sky”
Aina Abdul, representing Malaysia at Eurovision Song Contest Asia 2026, will close the show with staging that combines elegance, visual power and a strong artistic identity. She appears under blue lighting, a mood that envelops the stage and enhances the ethereal atmosphere of the performance.
Her styling is an all-white monochrome look, made up of a hijab and a loose-cut jacket with voluminous sleeves that add movement and presence. The design is by Melinda Looi, who created the outfit Aina Abdul will wear on stage.
The staging stands out for a set piece that looks like a transparent glass or acrylic structure, whose surface recreates a rippling water effect. Together with the lighting and haze, it builds a heavenly image and adds depth to the space without pulling focus from the singer. Aina Abdul appears in a white version of her styling, decorated with details that evoke sparkles and delicate shapes, in keeping with the world she is building.
An experienced team is behind the performance. Before the contest, Aina Abdul explained that she would bring several members of the production team of the Malaysian song competition Anugerah Juara Lagu, including her stage director and lighting crew. They will work alongside the Eurovision team to coordinate the technical and artistic side of the number.
Aina Abdul also revealed that they were exploring different ways to develop the stage concept. The intention, however, is not to depict the sky literally, but to approach it from a creative, unexpected angle, away from the obvious. In this way, Aina Abdul is going for an atmospheric, carefully crafted entry in which costume, light and set design come together to create a memorable performance.
Who is Aina Abdul? Meet Malaysia’s representative at Eurovision Asia 2026